Carl Larsson
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Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Jeremiah Theus
Hannah Dart
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ID: 88740

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Jeremiah Theus Hannah Dart


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Jeremiah Theus

(April 5, 1716 - May 17, 1774) was a Swiss-born American painter, primarily of portraits. He was active mainly around Charleston, South Carolina, in which city he remained almost without competition for the bulk of his career. Theus was born in the city of Chur, in the Swiss canton of Graubenden, and was the eldest child of Simeon and Anna Walser Thees. He was nineteen when he immigrated with his family to the Province of South Carolina, whose General Assembly had provided land grants and transport funds to encourage European Protestants to settle in the colony. Simeon Thes was given 250 acres (1.0 km2) of land along the Edisto River in what was then Orangeburgh Township,  Related Paintings of Jeremiah Theus :. | Lt. Colonel Barnard Elliott | Captain John Reynolds | Portrait of a Young Southern Woman | Portrait of Elizabeth Rothmahler | Hannah Dart |
Related Artists:
Sofonisba Anguisciola
1532?C1625, The best known of the sisters, she was trained, with Elena, by Campi and Gatti. Most of Vasari's account of his visit to the Anguissola family is devoted to Sofonisba, about whom he wrote: 'Anguissola has shown greater application and better grace than any other woman of our age in her endeavours at drawing; she has thus succeeded not only in drawing, colouring and painting from nature, and copying excellently from others, but by herself has created rare and very beautiful paintings'. Sofonisba's privileged background was unusual among woman artists of the 16th century, most of whom, like Lavinia Fontana (see FONTANA (ii),(2)), FEDE GALIZIA and Barbara Longhi (see LONGHI (i), (3)), were daughters of painters. Her social class did not, however, enable her to transcend the constraints of her sex. Without the possibility of studying anatomy, or drawing from life, she could not undertake the complex multi-figure compositions required for large-scale religious or history paintings. She turned instead to the models accessible to her, exploring a new type of portraiture with sitters in informal domestic settings. The influence of Campi, whose reputation was based on portraiture, is evident in her early works, such as the Self-portrait (Florence, Uffizi). Her work was allied to the worldly tradition of Cremona, much influenced by the art of Parma and Mantua, in which even religious works were imbued with extreme delicacy and charm. From Gatti she seems to have absorbed elements reminiscent of Correggio, beginning a trend that became marked in Cremonese painting of the late 16th century.
Ford Madox Brown
1821-1893 English painter and designer. The son of a retired ship's purser who had settled at Calais, Brown received an academic training under Albert Gregorius (1774-1853) at Bruges, under Pieter van Hanselaere (1786-1862) at Ghent and under Baron Gustaf Wappers at the Academie in Antwerp (1837-9). He moved to Paris in 1840, married the following year and studied independently of the ateliers
GIOVANNI DA MODENA
Italian painter, Bolognese school (active 1409-1456 in Bologna)






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